Thursday, 20 March 2008
Edward Ruchalski - Dark Night
excerpt taken from a most visual interpretation of this record:-
"..The disc begins with a swelling ringing drone that rolls and sways like wheat in a gentle breeze. Over this lulling undulation one can hear the whistles of distant trains passing by. The second track marries lightly stroked piano with resonating bells and chimes that are overshadowed briefly by screeching harmonics of bowed metal before the mournful cry of the train whistle returns. Underneath this swell, the steady insistent sweep of a sprinkler hovers into range.
Over the next several parts of the piece, these basic elements are manipulated and modulated expertly to build a narrative in which individual events can be discerned (the slightly spooky piano figure from "Part Three", the "clock" striking the hour in the middle of "Part Four") but never interrupt the leisurely movement of the whole. As "Part Five" begins with gently plucked guitar frames chiming bells, one can easily picture the easy harmony of an elemental duet between a solitary farmhouse occupant and the wind chimes on the back porch. It is the first hint that acceptance and peace can be attained even amidst the turbulence of nocturnal noises.
Once the delicate piano chords at the start of "Part Six" have been swallowed by gamelan-like echoic bells, a babbling brook emerges as the underpinning for Rebecca Klossner’s "singing bowls". The presence of unfettered water (as opposed to its earlier appearance in sprinkler directed form) is emblematic of the softening the piece has undergone over its length. The final "Part Eight" breaks like dawn illuminating the previous evening’s sinister room corners as merely an innocuous and essential meeting place for the walls of home." - steve rybicki (fakejazz)
Part One (5:17)
Part Two (7:25)
Part Three (6:42)
Part Four / Part Five (8:02)
Part Six / Part Seven "Night Pasture" (6:52)
Part Eight "For Rebecca" (4:19)
Composed, performed and recorded by Edward Ruchalski.
Rebecca Klossner: singing bowls and field recording on Part Seven.